something clear, Waiting for Godot in prison, The stifling absurdity of the world between four walls. But the director of this film, the role of which belongs to Antonio Albanese, would be better off saying: “Enlightening.”
But, before that, he, the director: an actor out of his profession, condemned to fake orgasms in dubbing pornographic films, “Orgasm! Orgasm!” Then “Goodbye, thank you very much!” (The Albanian also resembles the Italian and Spaniard Javier Camara, to begin with Thanks guys It even seems like an open path to certain groups of Almodovar…)you will give Antonio's character a group of prisoners whom he will guide on a journey Workshop From the theatre.
There is a problem with the wound in self-esteem and how to treat it in this Loser Become a manager. He is alone after a divorce, and lives in a neighborhood near an airstrip.
Rapid exposure sequence – why Thanks guys It mainly plays on the interactive effect – and we have Antonio confronting characters who have agreed to memorize Samuel Beckett's text in the belief that it is a certain Peckham. But at least theater is not like the other laboratory hypothesis they were presented with, yoga; This is for “sissies.”
We see what will happen, and Riccardo Milani's film does not stray far from this horizon: a story of overcoming, of redemption, in which the characters of the poor prisoners emerge, with their personal stories that serve as a brief human characterization and even allow for it. Moments of action will be the motivation, the path to getting there. A kind of orgasm, yes, that of the director, which is always within sight of a structure that progresses from demand to demand for emotional effects.
Thanks guys So it wasn't done the way the Taviani brothers did it Caesar must die (The Golden Bear in Berlin 2012), a documentary film, or a form of…, about a theatrical performance of… Julio Cesar Shakespeare is in a maximum security Italian prison. In this regard, Melanie's film carries some hypocrisy, and perhaps contains the germ of lying, by putting in the director's mouth the discovery that non-professional actors, prisoners, “can do things that actors can do.” “You don't do that anymore.” – But that's not the case He said this as a moment Eureka! In a film where the “pretend” between the professionals is the coordination The method of work?
Waiting for Godot? Beckett is presented to us in pieces, so as not to tire us (in the end, someone may feel that with the summary he has seen everything), between simple and friendly adventures, but always calculating of effects, without a trace of tragic brutality – a comedy of “comedies “Italian” which was someone like Gianni Di Gregorio, but it was all instinct and non-programmatic memory, he recovered at the age of sixty when he made his directorial debut with Lunch on August 15th (2008).
in Thanks guys Many prisoners return to prison. I finish a trip. Fiction has used it, and the film no longer needs it. Antonio, the director, has his moment. Of course: say thank you!
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